JONATHAN GARFINKEL’s multi-genre writing has been translated into twelve languages, and his plays have been produced throughout Canada, Germany, Russia, and Ukraine. He is the author of the book of poems Glass Psalms (Turnstone Press) and has written numerous plays including The Trials of John Demjanjuk: A Holocaust Cabaret and the Governor- General shortlisted House of Many Tongues. His memoir Ambivalence: Crossing the Israel/Palestine Divide was published in five countries to critical acclaim (Penguin Canada and Norton and Norton US). Jonathan is also an award-winning non-fiction writer; his journalism has appeared in places like The Globe and Mail, The Walrus, Eighteen Bridges, Tablet, and PEN International. In 2015 he was commissioned to adapt Rawi Hage’s Cockroach for the stage, which premiered at Alberta Theatre Projects in Calgary in 2016. Currently it is in development with Soulpepper. Named by the Toronto Star as ‘one to watch,’ he teaches playwriting at the National Theatre School of Canada in Montreal. jonathan-garfinkel.com
JEFF KIRBY’s earlier chapbooks include Simple Enough, Cock & Soul,Bob’s boy, and The world is fucked and sometimes beautiful. His work appears in numerous anthologies beginning with the letter Q, and most recently online at Matrix Magazine and bandcamp/jeffkirby. Kirby is the owner/publisher of knife | fork | book.
DAVID BRADFORD is an MFA candidate at the University of Guelph and leads the Slo-Po group reading series. His work has appeared in a variety of places, including Lemon Hound and Prairie Fire, and his latest chapbook, Call Out (Knife|Fork|Book), is forthcoming in 2017.
ROXANNA BENNETT is the author of The Uncertainty Principle(Tightrope Books, 2014). Her work has appeared in Bitch Magazine, Slice Magazine, The Dalhousie Review, Existere, Arc, Vallum, CV2, Cosmonauts Avenue, Qwerty, carte blanche, and many other publications. Her KFB chapbook, Unseen Garden, comes out Fall 2017. She lives in Ontario, Canada.
DAVID WHITE is one of the contributing poets of Renga: A Collaborative Poem (Brick Books). In 1994 he competed his Ph. D. with the dissertation, “A Territory Not Yet On The Map”: Relocating Gay Aestheticism In The Age Of AIDS. He lives in London and is a Professor at Fanshawe College where he teaches Theatre History and Writing. The Lark Ascending is his first (solo) book of poetry.
About JESSICA HIEMSTRA’s The Holy Nothing (Pedlar Press, 2016). Most of Jessica Hiemstra’s new poems were written over several winters. They arrived both suddenly and slowly. To Hiemstra the poems of The Holy Nothing feel like the slake of a hard moment. Haiku poet Claudia Radmore says that Hiemstra’s poems want to be haibuns. There’s something so painfully unadorned and simple about her work, which isn’t simple-mindedness. Think of these poems as meditations.
SARAH PINDER is the author of Cutting Room (Coach House Books, 2012) and Common Place (Coach House Books, 2017). Her writing has been shortlisted for the Expozine Small Press Awards, and included in magazines like Geist, Arc and Poetry is Dead. A long time zine-maker, you can also find her work in Montreal’s Distroboto art vending machines. She lives in Toronto, Canada.
TARA-MICHELLE ZINIUK is the author of the poetry collections Somewhere to Run From (2009) and Emergency Contact (2006), and her newest, Whatever, Iceberg (Mansfield Press, 2017). Her poetry and fiction has been published in Joyland, Taddle Creek, Matrix, Prism, make/shift, This Magazine and The Best Canadian Poetry 2016. Her byline has appeared in The National Post, Quill & Quire, The Grid, Today’s Parent, Bitch Magazine, Maximum Rocknroll and various other print and digital publications.
R. KOLEWE’s first book of poems, Afterletters, was published by BookThug in 2014. A second book, Inspecting Nostalgia, is now available fromTalonbooks. His poems have also appeared online and in print at ditch,e-ratio, The Puritan, (parenthetical) and the Literary Review of Canada.