“bearers of the urgent form”


“My hope has always been for poets…to be bearers of the urgent form. Nardone’s collections seems to carry that urgency, seems to know artifice for what it is—a holding pattern for thought’s flight, so that it can land in a stranger place, further, always, from the comforts of habit and home.”–Divya Victor, author of Kith

Shiv Kotecha does for the word fucking what Catullus did for the word kissing.  In The Switch, desire travels everywhere to its surprisingly specific destinations—to body parts aroused in their fashion, like a saint’s skull or a cock.  Here love is as artificial as a courtly dialogue, and deeply felt, even spiritual.  Here the arousal of the fragmented body is contemporary practice.  Is one allowed to write such a book?  Among the spectacular effects and turns and startling intimacies in The Switch, the most daring is its no-holds-barred pursuit of love.—Robert Glück

“I had been oscillating between focusing on writing or visuals, and somehow arrived at the point that I didn’t have to choose one over the other,” says Vancouver artist Tiziana La Melia of her digressive approach. “Writing was never something I felt especially strong or good at, but it was something that felt necessary to my sanity.” It’s also an extension of her visual work, displaying different aspects of her research and thought process. La Melia’s writing blends correspondence, intimacy and incantations in an attempt to better understand desires and gripes. Nice Poem (2017) makes an indexical study of flattery, social instrumentalization and liberal feminism; she explains that “these works have been very direct and emotional, and document tiny instances of structural violence, ulterior motives, narcissism and so on.” Candian Art Magazine





knife | fork | book
at The Dark Side Studio | 244 Augusta Avenue | 2nd Floor | Kensington Market | Toronto

Access: We are a second floor walk-up with two all-gender washrooms. Please remove your shoes upon entrance.


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